{"id":1613,"date":"2026-10-05T11:42:21","date_gmt":"2026-10-05T09:42:21","guid":{"rendered":"https:\/\/isfft.com\/?page_id=1613"},"modified":"2026-10-05T21:39:21","modified_gmt":"2026-10-05T19:39:21","slug":"documentary-isfft2026","status":"publish","type":"page","link":"https:\/\/isfft.com\/en\/isfft-2026\/documentary-isfft2026\/","title":{"rendered":"Documentaries"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1613\" class=\"elementor elementor-1613\">\n\t\t\t\t<div class=\"elementor-element elementor-element-543d9a7 e-flex e-con-boxed e-con e-parent\" data-id=\"543d9a7\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-620d946 e-con-full e-flex e-con e-child\" data-id=\"620d946\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1aa43b1 elementor-widget elementor-widget-spacer\" data-id=\"1aa43b1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-17739bd elementor-hidden-tablet elementor-hidden-mobile elementor-widget elementor-widget-heading\" data-id=\"17739bd\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Dokumentar\u00eb - ISFFT 2026<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8c08c89 elementor-hidden-desktop elementor-widget elementor-widget-heading\" data-id=\"8c08c89\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Dokumentar\u00eb <br>ISFFT 2026<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b8dba06 elementor-widget elementor-widget-spacer\" data-id=\"b8dba06\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-c51e95a e-grid e-con-full e-con e-child\" data-id=\"c51e95a\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-e9d878f elementor-widget elementor-widget-html\" data-id=\"e9d878f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t<style>\n.isfft-films{display:grid;grid-template-columns:repeat(2,minmax(0,1fr));gap:56px 40px;margin:0;padding:0;list-style:none}\n.isfft-films .f-card{display:flex;flex-direction:column;gap:12px;margin:0;padding:0;background:transparent;border:0}\n.isfft-films .f-card,.isfft-films .f-card *{color:#fff!important}\n.isfft-films .f-img{width:100%;height:500px;background:transparent;display:flex;align-items:center;justify-content:flex-start}\n.isfft-films .f-img a{display:block;height:100%;max-width:100%;cursor:zoom-in}\n.isfft-films .f-img img{max-width:100%;height:100%;width:auto;object-fit:contain;object-position:left center;display:block}\n.isfft-films h3{margin:6px 0 0;line-height:1.1}\n.isfft-films .f-meta{margin:0;line-height:1.6}\n.isfft-films .f-meta b{font-weight:700}\n.isfft-films .f-syn{margin:4px 0 0;line-height:1.6;text-align:justify;hyphens:auto;-webkit-hyphens:auto}\nhtml:not([lang^=\"en\"]) .isfft-films .en{display:none}\nhtml[lang^=\"en\"] .isfft-films .sq{display:none}\n#isfft-lb{position:fixed;inset:0;z-index:999999;background:rgba(0,0,0,.94);display:none;align-items:center;justify-content:center;cursor:zoom-out}\n#isfft-lb.on{display:flex}\n#isfft-lb img{max-width:94vw;max-height:92vh;width:auto;height:auto;object-fit:contain;box-shadow:0 0 40px rgba(0,0,0,.6)}\n#isfft-lb button{position:absolute;top:14px;right:18px;background:none;border:0;color:#fff;font-size:42px;line-height:1;cursor:pointer;padding:6px 12px}\n@media (max-width:1024px){\n.isfft-films{grid-template-columns:minmax(0,1fr);gap:48px}\n.isfft-films .f-img{height:auto}\n.isfft-films .f-img a{height:auto;width:100%;max-width:480px}\n.isfft-films .f-img img{width:100%;height:auto;max-height:620px;object-fit:contain;object-position:left top}\n}\n<\/style>\n<ul class=\"isfft-films\">\n<li class=\"f-card\"><div class=\"f-img\"><a href=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-01.jpg\" class=\"f-zoom\" aria-label=\"OLYMPIC TRASH\"><img decoding=\"async\" src=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-01.jpg\" alt=\"OLYMPIC TRASH\" loading=\"lazy\" onerror=\"this.closest('.f-img').remove()\"><\/a><\/div><h3>OLYMPIC TRASH<\/h3><p class=\"f-meta\"><b><span class=\"sq\">Regjia<\/span><span class=\"en\">Director<\/span>:<\/b> Erik S\u00e9mashkin<br><b><span class=\"sq\">Shkolla e Filmit<\/span><span class=\"en\">Film School<\/span>:<\/b> University Paris 8 Vincennes - Saint-Denis<br><b>Run time:<\/b> 2:53 min<br><b><span class=\"sq\">Shteti<\/span><span class=\"en\">Country<\/span>:<\/b> <span class=\"sq\">France<\/span><span class=\"en\">France<\/span><\/p><p class=\"f-syn sq\"><b>Sinopsi:<\/b> Mbeturinat merren me sport nd\u00ebrsa p\u00ebrgatiten p\u00ebr Loj\u00ebrat Olimpike 2024 n\u00eb Paris.<\/p><p class=\"f-syn en\"><b>Synopsis:<\/b> Waste plays sport in preparation for the 2024 Olympic Games in Paris.<\/p><\/li>\n<li class=\"f-card\"><div class=\"f-img\"><a href=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-02.jpg\" class=\"f-zoom\" aria-label=\"DESHEBRADA\"><img decoding=\"async\" src=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-02.jpg\" alt=\"DESHEBRADA\" loading=\"lazy\" onerror=\"this.closest('.f-img').remove()\"><\/a><\/div><h3>DESHEBRADA<\/h3><p class=\"f-meta\"><b><span class=\"sq\">Regjia<\/span><span class=\"en\">Director<\/span>:<\/b> Julia Garc\u00eda Suastegui, Caryanne Jatziri Santana L\u00f3pez<br><b><span class=\"sq\">Shkolla e Filmit<\/span><span class=\"en\">Film School<\/span>:<\/b> Instituto Tecnol\u00f3gico y de Estudios Superiores de Monterrey<br><b>Run time:<\/b> 10:16 min<br><b><span class=\"sq\">Shteti<\/span><span class=\"en\">Country<\/span>:<\/b> <span class=\"sq\">Mexico<\/span><span class=\"en\">Mexico<\/span><\/p><p class=\"f-syn sq\"><b>Sinopsi:<\/b> DESHEBRADA \u00ebsht\u00eb nj\u00eb portret intim i kujtes\u00ebs dhe dashuris\u00eb. P\u00ebrmes Do\u00f1a Lupit\u00ebs, e cila vazhdoi biznesin familjar pas vdekjes s\u00eb n\u00ebn\u00ebs s\u00eb saj m\u00eb shum\u00eb se dy dekada m\u00eb par\u00eb, dokumentari eksploron m\u00ebnyr\u00ebn se si gatimi e tejkalon funksionin praktik dhe shnd\u00ebrrohet n\u00eb akt dashurie, rezistence dhe ruajtjeje kulturore. N\u00eb tezg\u00ebn e motrave Pacheco, n\u00eb lagjen La Piedad, \u00e7do gjest mbart nj\u00eb histori, duke endur nj\u00eb lidhje t\u00eb pathyeshme mes brezave t\u00eb grave dhe komunitetit t\u00eb tyre. Historia d\u00ebshmon p\u00ebr p\u00ebrpjekjen p\u00ebr t\u00eb nd\u00ebrtuar identitetin dhe p\u00ebr t\u2019u kapur pas asaj q\u00eb na ka udh\u00ebhequr, edhe p\u00ebrball\u00eb nj\u00eb fundi q\u00eb afrohet.<\/p><p class=\"f-syn en\"><b>Synopsis:<\/b> DESHEBRADA is an intimate portrait of memory and love. Through Do\u00f1a Lupita, who continued the family business after her mother&#x27;s passing over two decades ago. The documentary explores how cooking transcends its practical purpose to become an act of love, resistance, and cultural preservation. At the Pacheco sisters&#x27; stand in the neighborhood of La Piedad, every gesture holds a story, weaving an unbreakable bond between generations of women and their community. This story showcases the effort involved in building identity and holding onto what has guided us, even in the face of a looming end.<\/p><\/li>\n<li class=\"f-card\"><div class=\"f-img\"><a href=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-03.jpg\" class=\"f-zoom\" aria-label=\"The soul of Jasmine\"><img decoding=\"async\" src=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-03.jpg\" alt=\"The soul of Jasmine\" loading=\"lazy\" onerror=\"this.closest('.f-img').remove()\"><\/a><\/div><h3>The soul of Jasmine<\/h3><p class=\"f-meta\"><b><span class=\"sq\">Regjia<\/span><span class=\"en\">Director<\/span>:<\/b> Marina Garcia Andreu<br><b><span class=\"sq\">Shkolla e Filmit<\/span><span class=\"en\">Film School<\/span>:<\/b> ESCAC<br><b>Run time:<\/b> 9:00 min<br><b><span class=\"sq\">Shteti<\/span><span class=\"en\">Country<\/span>:<\/b> <span class=\"sq\">Spain<\/span><span class=\"en\">Spain<\/span><\/p><p class=\"f-syn sq\"><b>Sinopsi:<\/b> Mes kullave t\u00eb reja t\u00eb zyrave n\u00eb Fuzhou, Kin\u00eb, shtrihet nj\u00eb zon\u00eb ligatinore ku lul\u00ebzojn\u00eb jasemin\u00eb t\u00eb brisht\u00eb. Fermer\u00ebt p\u00ebrballojn\u00eb vap\u00ebn p\u00ebr t\u2019i mbledhur lulet nga fushat e gjelbra dhe aromatike. Ata flasin p\u00ebr lul\u00ebzimin e tyre kalimtar, pasi \u00e7asti i p\u00ebrsosur i lul\u00ebzimit ndodh vet\u00ebm nj\u00eb her\u00eb n\u00eb vit. Filmi ofron nj\u00eb udh\u00ebtim vizual t\u00eb jaseminit, nga fusha dhe kultivimi deri te filxhani prej porcelani i nj\u00eb mjeshtri t\u00eb \u00e7ajit.<\/p><p class=\"f-syn en\"><b>Synopsis:<\/b> Amidst the newly-built office towers in Fuzhou, China lies a parcel of wetland where delicate jasmine flowers grow in abundance. Here, farmers brave the hot weather to collect jasmine from verdant and fragrant fields. They talk about the ephemeral bloom of the flowers, because the perfect bloom occurs but once a year. This film offers a visual journey of the jasmine flower from field, to cultivation, and ultimately, to the porcelain cup of a tea master.<\/p><\/li>\n<li class=\"f-card\"><div class=\"f-img\"><a href=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-04.jpg\" class=\"f-zoom\" aria-label=\"Dust Dream\"><img decoding=\"async\" src=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-04.jpg\" alt=\"Dust Dream\" loading=\"lazy\" onerror=\"this.closest('.f-img').remove()\"><\/a><\/div><h3>Dust Dream<\/h3><p class=\"f-meta\"><b><span class=\"sq\">Regjia<\/span><span class=\"en\">Director<\/span>:<\/b> Ning Chang Xu<br><b><span class=\"sq\">Shkolla e Filmit<\/span><span class=\"en\">Film School<\/span>:<\/b> Liaoning University<br><b>Run time:<\/b> 25:00 min<br><b><span class=\"sq\">Shteti<\/span><span class=\"en\">Country<\/span>:<\/b> <span class=\"sq\">China<\/span><span class=\"en\">China<\/span><\/p><p class=\"f-syn sq\"><b>Sinopsi:<\/b> Kat\u00ebr gra n\u00eb mosh\u00eb t\u00eb mesme p\u00ebrballen, secila n\u00eb \u00ebndrrat e veta, me frik\u00ebrat e tyre m\u00eb t\u00eb thella \u2014 gj\u00ebra q\u00eb nuk do t\u00eb donin kurr\u00eb t\u00eb ndodhnin, por q\u00eb u duken sikur i kan\u00eb p\u00ebrjetuar tashm\u00eb. N\u00eb fund, \u00ebndrra dhe realiteti shkrihen n\u00eb nj\u00eb kaos t\u00eb padalluesh\u00ebm.<\/p><p class=\"f-syn en\"><b>Synopsis:<\/b> Four middle-aged women each confront their deepest fears in their dreams\u2014things they never wish to happen, yet feel as if they have already lived through. In the end, dreams and reality blur into one indistinguishable chaos.<\/p><\/li>\n<li class=\"f-card\"><div class=\"f-img\"><a href=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-05.jpg\" class=\"f-zoom\" aria-label=\"The Soul\"><img decoding=\"async\" src=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-05.jpg\" alt=\"The Soul\" loading=\"lazy\" onerror=\"this.closest('.f-img').remove()\"><\/a><\/div><h3>The Soul<\/h3><p class=\"f-meta\"><b><span class=\"sq\">Regjia<\/span><span class=\"en\">Director<\/span>:<\/b> Inna Avanesova<br><b><span class=\"sq\">Shkolla e Filmit<\/span><span class=\"en\">Film School<\/span>:<\/b> Yerevan State Institute of Theatre and Cinema<br><b>Run time:<\/b> 10:00 min<br><b><span class=\"sq\">Shteti<\/span><span class=\"en\">Country<\/span>:<\/b> <span class=\"sq\">Armenia<\/span><span class=\"en\">Armenia<\/span><\/p><p class=\"f-syn sq\"><b>Sinopsi:<\/b> Nj\u00eb portret filmik i nj\u00eb gruaje q\u00eb, p\u00ebr arsye t\u00eb ndryshme, punon si pastruese, por \u00ebnd\u00ebrron t\u00eb zhytet n\u00eb bot\u00ebn e teatrit. Filmi trajton konfliktin e brendsh\u00ebm t\u00eb nj\u00eb njeriu q\u00eb d\u00ebshiron t\u00eb realizoj\u00eb veten si krijues, nd\u00ebrkoh\u00eb q\u00eb nj\u00eb pun\u00eb e pad\u00ebshiruar i merr t\u00eb gjith\u00eb koh\u00ebn.<\/p><p class=\"f-syn en\"><b>Synopsis:<\/b> This is a film portrait of a woman who, for some reasons, works as a cleaner, but dreams of immersing herself in the world of theater. In this film I tried to raise the theme of person&#x27;s inner conflict who strives, or to be precise dreams, to realize herself as a creative person, but forced, unloved work takes all her time.<\/p><\/li>\n<li class=\"f-card\"><div class=\"f-img\"><a href=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-06.jpg\" class=\"f-zoom\" aria-label=\"Steps we share\"><img decoding=\"async\" src=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-06.jpg\" alt=\"Steps we share\" loading=\"lazy\" onerror=\"this.closest('.f-img').remove()\"><\/a><\/div><h3>Steps we share<\/h3><p class=\"f-meta\"><b><span class=\"sq\">Regjia<\/span><span class=\"en\">Director<\/span>:<\/b> Alvin Qehaja<br><b><span class=\"sq\">Shkolla e Filmit<\/span><span class=\"en\">Film School<\/span>:<\/b> University of Arts<br><b>Run time:<\/b> 14:37 min<br><b><span class=\"sq\">Shteti<\/span><span class=\"en\">Country<\/span>:<\/b> <span class=\"sq\">Albania<\/span><span class=\"en\">Albania<\/span><\/p><p class=\"f-syn sq\"><b>Sinopsi:<\/b> Nj\u00eb m\u00ebsues q\u00eb nd\u00ebrton mund\u00ebsi dhe shpres\u00eb, edhe aty ku rruga duket e larg\u00ebt dhe e paarritshme.<\/p><p class=\"f-syn en\"><b>Synopsis:<\/b> A teacher who builds opportunities and hope, even where the path seems distant and unreachable.<\/p><\/li>\n<li class=\"f-card\"><div class=\"f-img\"><a href=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-07.jpg\" class=\"f-zoom\" aria-label=\"One Among Mortals\"><img decoding=\"async\" src=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-07.jpg\" alt=\"One Among Mortals\" loading=\"lazy\" onerror=\"this.closest('.f-img').remove()\"><\/a><\/div><h3>One Among Mortals<\/h3><p class=\"f-meta\"><b><span class=\"sq\">Regjia<\/span><span class=\"en\">Director<\/span>:<\/b> Vyshakh Thaliyil<br><b><span class=\"sq\">Shkolla e Filmit<\/span><span class=\"en\">Film School<\/span>:<\/b> Newcastle University UK<br><b>Run time:<\/b> 14:52 min<br><b><span class=\"sq\">Shteti<\/span><span class=\"en\">Country<\/span>:<\/b> <span class=\"sq\">India<\/span><span class=\"en\">India<\/span><\/p><p class=\"f-syn sq\"><b>Sinopsi:<\/b> M. V. Ambujakshi b\u00ebn nj\u00eb jet\u00eb t\u00eb dyfisht\u00eb. Shumic\u00ebn e dit\u00ebve punon si pastruese n\u00eb post\u00ebn lokale, nd\u00ebrsa n\u00eb dit\u00eb t\u00eb tjera shnd\u00ebrrohet n\u00eb hyjni p\u00ebr shum\u00eb njer\u00ebz. Theyyam \u00ebsht\u00eb nj\u00eb form\u00eb rituale performative e komuniteteve t\u00eb margjinalizuara t\u00eb Keral\u00ebs, n\u00eb Indin\u00eb Jugore, tradicionalisht e interpretuar nga burra, t\u00eb cil\u00ebt mish\u00ebrojn\u00eb edhe hyjni fem\u00ebrore. P\u00ebrjashtimi i vet\u00ebm \u00ebsht\u00eb Devakoothu, \u201cvallja e hyjnesh\u00ebs\u201d, i vetmi Theyyam i interpretuar nga nj\u00eb grua. M.V. Ambujakshi \u00ebsht\u00eb interpretuesja aktuale e Devakoothu-t, duke vazhduar nj\u00eb linj\u00eb grash nga kasta Malayan. Dokumentari e ndjek Ambujakshin n\u00eb dit\u00ebt para performanc\u00ebs, duke ofruar nj\u00eb portret intim t\u00eb nj\u00eb gruaje t\u00eb klas\u00ebs pun\u00ebtore s\u00eb cil\u00ebs i \u00ebsht\u00eb besuar roli i shenjt\u00eb i mish\u00ebrimit t\u00eb hyjnores. Nj\u00ebkoh\u00ebsisht, filmi reflekton mbi m\u00ebnyr\u00ebn se si performanca rituale mund t\u00eb shnd\u00ebrrohet n\u00eb mjet p\u00ebrmes t\u00eb cilit komunitetet e margjinalizuara rimarrin hap\u00ebsir\u00ebn e tyre kulturore.<\/p><p class=\"f-syn en\"><b>Synopsis:<\/b> M. V. Ambujakshi leads a double-life. On most days, she is a sweeper at the local post office, but on others, she is a goddess to many. Theyyam is a subaltern ritualistic performance art form native to Kerala, South India, traditionally performed by men, who also embody female deities. The sole exception is Devakoothu (dance of the goddess), the only Theyyam performed by a woman. M.V. Ambujakshi is the current practitioner of Devakoothu, carrying forward a lineage of women from the Malayan caste\u2014historically marginalized yet ritually ordained to perform this sacred role. This 19-min documentary follows Ambujakshi in the days leading up to her performance, offering an intimate portrait of a working-class, subaltern woman entrusted with the sacred role of embodying the divine. It is also a broader reflection on how ritual performance becomes a means for marginalised communities to reclaim cultural space within the living tradition.<\/p><\/li>\n<li class=\"f-card\"><div class=\"f-img\"><a href=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-08.jpg\" class=\"f-zoom\" aria-label=\"Film\u00e9i\"><img decoding=\"async\" src=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-08.jpg\" alt=\"Film\u00e9i\" loading=\"lazy\" onerror=\"this.closest('.f-img').remove()\"><\/a><\/div><h3>Film\u00e9i<\/h3><p class=\"f-meta\"><b><span class=\"sq\">Regjia<\/span><span class=\"en\">Director<\/span>:<\/b> Camilla Magrini<br><b><span class=\"sq\">Shkolla e Filmit<\/span><span class=\"en\">Film School<\/span>:<\/b> NABA, Milano<br><b>Run time:<\/b> 12:00 min<br><b><span class=\"sq\">Shteti<\/span><span class=\"en\">Country<\/span>:<\/b> <span class=\"sq\">Italy<\/span><span class=\"en\">Italy<\/span><\/p><p class=\"f-syn sq\"><b>Sinopsi:<\/b> Ravenna, vitet 1960. Dy kineast\u00eb, Sergio dhe Claudio, nisin t\u00eb dokumentojn\u00eb jet\u00ebn e tyre t\u00eb p\u00ebrditshme n\u00eb Super 8, duke regjistruar momente intimiteti, komuniteti dhe transformimi shoq\u00ebror. Ajo q\u00eb nis si nj\u00eb projekt personal zhvillohet n\u00eb nj\u00eb medium t\u00eb fuqish\u00ebm t\u00eb kujtes\u00ebs kolektive, duke zbuluar jo vet\u00ebm p\u00ebrvojat e tyre, por edhe atmosfer\u00ebn e nj\u00eb epoke. Dokumentari eksploron r\u00ebnd\u00ebsin\u00eb e filmave familjar\u00eb dhe m\u00ebnyr\u00ebn se si kujtimet individuale nd\u00ebrthuren me historin\u00eb e nj\u00eb komuniteti, duke reflektuar mbi fuqin\u00eb e imazhit p\u00ebr t\u00eb ruajtur dhe riinterpretuar t\u00eb shkuar\u00ebn p\u00ebrmes materialeve arkivore.<\/p><p class=\"f-syn en\"><b>Synopsis:<\/b> Ravenna, 1960s. Two filmmakers, Sergio and Claudio starts documenting their everyday lives through the Super 8, capturing moments of intimacy, community, and social transformation. What begins as a personal project evolves into a powerful medium for collective memory, revealing not only their lived experiences but also the atmosphere of an era. The short film documentary explores the importance of home movies and how individual memories intertwine with the history of a community, reflecting on the power of visual storytelling to preserve and reinterpret the past through archive access.<\/p><\/li>\n<li class=\"f-card\"><div class=\"f-img\"><a href=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-09.jpg\" class=\"f-zoom\" aria-label=\"THEY SHALL RETURN HOME\"><img decoding=\"async\" src=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-09.jpg\" alt=\"THEY SHALL RETURN HOME\" loading=\"lazy\" onerror=\"this.closest('.f-img').remove()\"><\/a><\/div><h3>THEY SHALL RETURN HOME<\/h3><p class=\"f-meta\"><b><span class=\"sq\">Regjia<\/span><span class=\"en\">Director<\/span>:<\/b> Gerialdo Zotaj<br><b><span class=\"sq\">Shkolla e Filmit<\/span><span class=\"en\">Film School<\/span>:<\/b> University of Arts<br><b>Run time:<\/b> 9:42 min<br><b><span class=\"sq\">Shteti<\/span><span class=\"en\">Country<\/span>:<\/b> <span class=\"sq\">Albania<\/span><span class=\"en\">Albania<\/span><\/p><p class=\"f-syn sq\"><b>Sinopsi:<\/b> Nj\u00eb grup vullnetar\u00ebsh dhe ushtar\u00ebsh ukrainas bashkojn\u00eb forcat n\u00eb nj\u00eb vend t\u00eb huaj p\u00ebr t\u00eb marr\u00eb pjes\u00eb n\u00eb nj\u00eb trajnim mbi procesin e \u00e7minimit, me synimin p\u00ebr t\u2019u kthyer m\u00eb pas n\u00eb Ukrain\u00eb dhe p\u00ebr t\u00eb kontribuar n\u00eb pastrimin e territorit nga minat dhe bombat.<\/p><p class=\"f-syn en\"><b>Synopsis:<\/b> A group of Ukrainian volunteers and soldiers join forces in a foregin country to participate in a training where they learn the process of demining, to then return in Ukraine and contribute by cleaning the territory from land mines and bombs.<\/p><\/li>\n<li class=\"f-card\"><div class=\"f-img\"><a href=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-10.jpg\" class=\"f-zoom\" aria-label=\"We Play With All Our Heart\"><img decoding=\"async\" src=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-10.jpg\" alt=\"We Play With All Our Heart\" loading=\"lazy\" onerror=\"this.closest('.f-img').remove()\"><\/a><\/div><h3>We Play With All Our Heart<\/h3><p class=\"f-meta\"><b><span class=\"sq\">Regjia<\/span><span class=\"en\">Director<\/span>:<\/b> Alvin \u00c7y\u00e7o<br><b><span class=\"sq\">Shkolla e Filmit<\/span><span class=\"en\">Film School<\/span>:<\/b> University of Arts<br><b>Run time:<\/b> 44:30 min<br><b><span class=\"sq\">Shteti<\/span><span class=\"en\">Country<\/span>:<\/b> <span class=\"sq\">Albania<\/span><span class=\"en\">Albania<\/span><\/p><p class=\"f-syn sq\"><b>Sinopsi:<\/b> Nj\u00eb dokumentar mbi muzik\u00ebn rock and roll n\u00eb trevat shqiptare, i nd\u00ebrthurur me momente historike dhe politike t\u00eb historis\u00eb s\u00eb Shqip\u00ebris\u00eb.<\/p><p class=\"f-syn en\"><b>Synopsis:<\/b> A documentary about rock and roll music in the Albanian lands. Accompanied by historical and political moments of Albanian history.<\/p><\/li>\n<li class=\"f-card\"><div class=\"f-img\"><a href=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-11.jpg\" class=\"f-zoom\" aria-label=\"Victoria\"><img decoding=\"async\" src=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-11.jpg\" alt=\"Victoria\" loading=\"lazy\" onerror=\"this.closest('.f-img').remove()\"><\/a><\/div><h3>Victoria<\/h3><p class=\"f-meta\"><b><span class=\"sq\">Regjia<\/span><span class=\"en\">Director<\/span>:<\/b> Stella \u0160uransk\u00e1<br><b><span class=\"sq\">Shkolla e Filmit<\/span><span class=\"en\">Film School<\/span>:<\/b> Academy of arts Banska Bystrica, Slovakia<br><b>Run time:<\/b> 14:52 min<br><b><span class=\"sq\">Shteti<\/span><span class=\"en\">Country<\/span>:<\/b> <span class=\"sq\">Slovakia<\/span><span class=\"en\">Slovakia<\/span><\/p><p class=\"f-syn sq\"><b>Sinopsi:<\/b> Dokumentari Victoria eksploron lirin\u00eb personale, transformimin e brendsh\u00ebm dhe k\u00ebrkimin e identitetit n\u00eb nj\u00eb bot\u00eb bashk\u00ebkohore plot mund\u00ebsi. Ai ndjek Victorian, nj\u00eb grua t\u00eb re q\u00eb, n\u00eb vend t\u00eb nj\u00eb karriere tradicionale dhe krijimit t\u00eb familjes, zgjedh vetmin\u00eb, udh\u00ebtimin dhe vet\u00ebzbulimin. Filmi rikthehet te periudha e saj n\u00eb Indi, ku feston 28-vjetorin, nd\u00ebrsa nj\u00eb Vikt\u00f3ria m\u00eb e rritur v\u00ebshtron nga Sllovakia veten e saj m\u00eb t\u00eb re teksa nis t\u00eb nd\u00ebrtoj\u00eb nj\u00eb jet\u00eb t\u00eb re. Filmi ofron nj\u00eb v\u00ebshtrim intim mbi nj\u00eb brez q\u00eb p\u00ebrpiqet t\u00eb gjej\u00eb ekuilibrin mes presioneve shoq\u00ebrore dhe ideve personale p\u00ebr lumturin\u00eb.<\/p><p class=\"f-syn en\"><b>Synopsis:<\/b> The documentary film Victoria explores the themes of personal freedom, inner transformation, and the search for identity in today\u2019s world full of possibilities. It follows a young woman, Victoria, who chooses a path of solitude, travel, and self-discovery instead of building a traditional career and starting a family. The film takes a retrospective look at her time in India, where she celebrates her 28th birthday, while an older Vikt\u00f3ria watches her younger self from Slovakia as she begins to build a new life. The film offers an intimate look at a generation striving to find balance between societal pressures and their own ideas of happiness. Victoria examines what it means for a young person today to grow up, how life values change, and whether routine is truly the opposite of freedom.<\/p><\/li>\n<li class=\"f-card\"><div class=\"f-img\"><a href=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-12.jpg\" class=\"f-zoom\" aria-label=\"Poem to a home\"><img decoding=\"async\" src=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-12.jpg\" alt=\"Poem to a home\" loading=\"lazy\" onerror=\"this.closest('.f-img').remove()\"><\/a><\/div><h3>Poem to a home<\/h3><p class=\"f-meta\"><b><span class=\"sq\">Regjia<\/span><span class=\"en\">Director<\/span>:<\/b> Ma\u00ebva Licari<br><b><span class=\"sq\">Shkolla e Filmit<\/span><span class=\"en\">Film School<\/span>:<\/b> Universit\u00e9 Bordeaux Montaigne, France<br><b>Run time:<\/b> 18:52 min<br><b><span class=\"sq\">Shteti<\/span><span class=\"en\">Country<\/span>:<\/b> <span class=\"sq\">France<\/span><span class=\"en\">France<\/span><\/p><p class=\"f-syn sq\"><b>Sinopsi:<\/b> Nd\u00ebrsa po nd\u00ebrton nj\u00eb marr\u00ebdh\u00ebnie t\u00eb q\u00ebndrueshme me t\u00eb dashurin, Ma\u00ebva pushtohet nga nj\u00eb melankoli e thell\u00eb, nj\u00eb ndjenj\u00eb q\u00eb ajo e lidh ngusht\u00eb me prind\u00ebrit e saj. I konceptuar fillimisht si nj\u00eb od\u00eb ndaj m\u00ebrzis\u00eb dhe melankolis\u00eb, gjat\u00eb procesit krijues filmi shnd\u00ebrrohet n\u00eb d\u00ebshmin\u00eb e dikujt q\u00eb \u00ebsht\u00eb shk\u00ebputur nga klasa e vet shoq\u00ebrore, e kapur mes frik\u00ebs s\u00eb p\u00ebrs\u00ebritjes s\u00eb modelit familjar dhe d\u00ebshir\u00ebs p\u00ebr t\u2019u pajtuar me k\u00ebt\u00eb kapitull t\u00eb jet\u00ebs.<\/p><p class=\"f-syn en\"><b>Synopsis:<\/b> s: While she is building a stable relationship with her boyfriend, Ma\u00ebva is overcome by a deep melancholy. A feeling she intimately associates with her parents. Initially conceived as an ode to boredom and melancholy, the film evolves over the course of its creation into the testimony of a class defector, caught between the fear of reproducing the family pattern and the desire for reconciliation with this chapter of her life.<\/p><\/li>\n<li class=\"f-card\"><div class=\"f-img\"><a href=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-13.jpg\" class=\"f-zoom\" aria-label=\"Upside Down\"><img decoding=\"async\" src=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-13.jpg\" alt=\"Upside Down\" loading=\"lazy\" onerror=\"this.closest('.f-img').remove()\"><\/a><\/div><h3>Upside Down<\/h3><p class=\"f-meta\"><b><span class=\"sq\">Regjia<\/span><span class=\"en\">Director<\/span>:<\/b> Cemal Karaaslan<br><b><span class=\"sq\">Shkolla e Filmit<\/span><span class=\"en\">Film School<\/span>:<\/b> Mardin Artuklu University<br><b>Run time:<\/b> 16:43 min<br><b><span class=\"sq\">Shteti<\/span><span class=\"en\">Country<\/span>:<\/b> <span class=\"sq\">T\u00fcrkiye<\/span><span class=\"en\">T\u00fcrkiye<\/span><\/p><p class=\"f-syn sq\"><b>Sinopsi:<\/b> Studenti i filmit Cemal niset s\u00eb bashku me miqt\u00eb p\u00ebr t\u00eb gjetur nj\u00eb grup breakdance q\u00eb ishte krijuar vite m\u00eb par\u00eb n\u00eb qytetin e tyre, por ishte zhdukur papritur. Nd\u00ebrsa p\u00ebrpiqen t\u00eb zbulojn\u00eb arsyen e shp\u00ebrb\u00ebrjes s\u00eb grupit, ata udh\u00ebhiqen nga Sile \u2014 nj\u00eb njeri i njohur pothuajse nga t\u00eb gjith\u00eb n\u00eb qytet dhe themeluesi i grupit. Teksa Cemal dhe miqt\u00eb k\u00ebrkojn\u00eb njer\u00ebzit e fundit n\u00eb qytetin e tyre q\u00eb dikur u p\u00ebrpoq\u00ebn t\u00eb b\u00ebnin di\u00e7ka ndryshe dhe dometh\u00ebn\u00ebse, Sile mbetet i pavet\u00ebdijsh\u00ebm p\u00ebr ndikimin q\u00eb ka l\u00ebn\u00eb te brezi pasardh\u00ebs.<\/p><p class=\"f-syn en\"><b>Synopsis:<\/b> Film student Cemal sets out with his friends to find a breakdance crew that was formed in their city years ago but suddenly disappeared. As they try to uncover why the group disbanded, they are guided by Sile \u2014 a man known by almost everyone in the city and the founder of the crew. While Cemal and his friends search for the last people in their hometown who once tried to do something different and meaningful, Sile remains unaware of the lasting impact he has left on the next generation.<\/p><\/li>\n<li class=\"f-card\"><div class=\"f-img\"><a href=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-14.jpg\" class=\"f-zoom\" aria-label=\"Mom!\"><img decoding=\"async\" src=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-14.jpg\" alt=\"Mom!\" loading=\"lazy\" onerror=\"this.closest('.f-img').remove()\"><\/a><\/div><h3>Mom!<\/h3><p class=\"f-meta\"><b><span class=\"sq\">Regjia<\/span><span class=\"en\">Director<\/span>:<\/b> Aidana Asan kyzy<br><b><span class=\"sq\">Shkolla e Filmit<\/span><span class=\"en\">Film School<\/span>:<\/b> Kyrgyzstan-Turkey Manas University<br><b>Run time:<\/b> 17:14 min<br><b><span class=\"sq\">Shteti<\/span><span class=\"en\">Country<\/span>:<\/b> <span class=\"sq\">Kyrgyzstan<\/span><span class=\"en\">Kyrgyzstan<\/span><\/p><p class=\"f-syn sq\"><b>Sinopsi:<\/b> Asel, 46 vje\u00e7, \u00ebsht\u00eb infermiere n\u00eb nj\u00eb spital f\u00ebmij\u00ebsh. Pavar\u00ebsisht pag\u00ebs s\u00eb ul\u00ebt, ajo e do profesionin e saj dhe kalon aty dit\u00eb e net. Pas pun\u00ebs, Asel gjen koh\u00eb t\u2019u p\u00ebrkushtohet tet\u00eb f\u00ebmij\u00ebve t\u00eb saj dhe t\u00eb p\u00ebrmbush\u00eb p\u00ebrgjegj\u00ebsit\u00eb si n\u00ebn\u00eb. Protagonistja \u00ebsht\u00eb nj\u00eb grua plot dashuri p\u00ebr njer\u00ebzit dhe profesionin e saj, pavar\u00ebsisht v\u00ebshtir\u00ebsive t\u00eb jet\u00ebs.<\/p><p class=\"f-syn en\"><b>Synopsis:<\/b> Asel, 46, is a nurse at children&#x27;s hospital. Despite the low salary, she loves her job and spends day and night there. After work, Asel have enough time to devote time to her eight children and fulfill maternal responsibilities. The main character of the film is a person full of a heart of love and loving his profession, despite all life&#x27;s difficulties.<\/p><\/li>\n<li class=\"f-card\"><div class=\"f-img\"><a href=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-15.jpg\" class=\"f-zoom\" aria-label=\"Journey to my Sister\"><img decoding=\"async\" src=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-15.jpg\" alt=\"Journey to my Sister\" loading=\"lazy\" onerror=\"this.closest('.f-img').remove()\"><\/a><\/div><h3>Journey to my Sister<\/h3><p class=\"f-meta\"><b><span class=\"sq\">Regjia<\/span><span class=\"en\">Director<\/span>:<\/b> Sonny Riddell<br><b><span class=\"sq\">Shkolla e Filmit<\/span><span class=\"en\">Film School<\/span>:<\/b> Manchester School of Digital Arts<br><b>Run time:<\/b> 6:40 min<br><b><span class=\"sq\">Shteti<\/span><span class=\"en\">Country<\/span>:<\/b> <span class=\"sq\">Austria, United Kingdom<\/span><span class=\"en\">Austria, United Kingdom<\/span><\/p><p class=\"f-syn sq\"><b>Sinopsi:<\/b> Dhjet\u00eb vjet m\u00eb par\u00eb, nj\u00eb grua e re u largua pa paralajm\u00ebrim nga qyteti i saj i vog\u00ebl n\u00eb Skoci dhe u nis drejt Vjen\u00ebs, duke e l\u00ebn\u00eb familjen t\u00eb tronditur dhe t\u00eb hutuar. N\u00eb k\u00ebt\u00eb film, v\u00ebllai i saj \u2014 vet\u00eb regjisori \u2014 p\u00ebrpiqet t\u00eb kuptoj\u00eb arsyen e largimit dhe at\u00eb q\u00eb ajo po k\u00ebrkonte. Duke rindjekur gjurm\u00ebt e saj, ai udh\u00ebton drejt Austris\u00eb p\u00ebr ta surprizuar dhe p\u00ebr t\u2019u p\u00ebrballur me distanc\u00ebn q\u00eb \u00ebsht\u00eb krijuar mes tyre.<\/p><p class=\"f-syn en\"><b>Synopsis:<\/b> Ten years ago, a young woman left her small Scottish hometown without warning, setting off for Vienna and leaving her family shocked and confused. In this film, her brother\u2014the filmmaker\u2014sets out to understand why she left and what she was searching for. As he investigates her story, he retraces her steps, traveling to Austria to surprise her and confront the distance that has grown between them.<\/p><\/li>\n<li class=\"f-card\"><div class=\"f-img\"><a href=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-16.jpg\" class=\"f-zoom\" aria-label=\"Santa Maria\"><img decoding=\"async\" src=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-16.jpg\" alt=\"Santa Maria\" loading=\"lazy\" onerror=\"this.closest('.f-img').remove()\"><\/a><\/div><h3>Santa Maria<\/h3><p class=\"f-meta\"><b><span class=\"sq\">Regjia<\/span><span class=\"en\">Director<\/span>:<\/b> Carlo Gargiulo<br><b><span class=\"sq\">Shkolla e Filmit<\/span><span class=\"en\">Film School<\/span>:<\/b> Accademia di Belle arti di Napoli<br><b>Run time:<\/b> 6:36 min<br><b><span class=\"sq\">Shteti<\/span><span class=\"en\">Country<\/span>:<\/b> <span class=\"sq\">Italy<\/span><span class=\"en\">Italy<\/span><\/p><p class=\"f-syn sq\"><b>Sinopsi:<\/b> P\u00ebrmes z\u00ebrit t\u00eb s\u00eb bij\u00ebs, dokumentari rr\u00ebfen historin\u00eb e Michele-s, nj\u00eb prej mjesht\u00ebrve t\u00eb fundit t\u00eb nd\u00ebrtimit t\u00eb anijeve q\u00eb vazhdon t\u00eb nd\u00ebrtoj\u00eb me dor\u00eb varka tradicionale prej druri. Mes kujtimeve t\u00eb f\u00ebmij\u00ebris\u00eb dhe jet\u00ebs familjare, shfaqet portreti i nj\u00eb njeriu t\u00eb heshtur dhe i nj\u00eb zanati t\u00eb destinuar t\u00eb zhduket, t\u00eb cilin familja p\u00ebrpiqet ta ruaj\u00eb si trash\u00ebgimi t\u00eb gjall\u00eb t\u00eb nj\u00eb bote t\u00eb lidhur me detin dhe kujtes\u00ebn.<\/p><p class=\"f-syn en\"><b>Synopsis:<\/b> The documentary tells, through the daughter\u2019s voice, the story of Michele, one of the last master shipwrights who still build traditional wooden boats by hand. Between childhood memories and family life, a portrait emerges of a quiet man and of a craft destined to disappear, which the family tries to preserve as a living legacy of a world tied to the sea and to memory.<\/p><\/li>\n<li class=\"f-card\"><div class=\"f-img\"><a href=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-17.jpg\" class=\"f-zoom\" aria-label=\"9 to 5\"><img decoding=\"async\" src=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-17.jpg\" alt=\"9 to 5\" loading=\"lazy\" onerror=\"this.closest('.f-img').remove()\"><\/a><\/div><h3>9 to 5<\/h3><p class=\"f-meta\"><b><span class=\"sq\">Regjia<\/span><span class=\"en\">Director<\/span>:<\/b> Helena Miranda<br><b><span class=\"sq\">Shkolla e Filmit<\/span><span class=\"en\">Film School<\/span>:<\/b> Lisbon School of Theater and Cinema<br><b>Run time:<\/b> 10:12 min<br><b><span class=\"sq\">Shteti<\/span><span class=\"en\">Country<\/span>:<\/b> <span class=\"sq\">Portugal<\/span><span class=\"en\">Portugal<\/span><\/p><p class=\"f-syn sq\"><b>Sinopsi:<\/b> Nat\u00ebn, qyteti ndahet mes qet\u00ebsis\u00eb dhe l\u00ebvizjes, derisa nj\u00eb kamion madh\u00ebshtor, por shurdhues, i mbledhjes s\u00eb mbeturinave e trazon at\u00eb. Ai merr me vete mbetjet e dark\u00ebs dhe gjith\u00e7ka tjet\u00ebr t\u00eb harruar n\u00eb frigorifer; merr edhe gjurm\u00ebt e jet\u00ebve t\u00eb kaluara, t\u00eb jetuara s\u00eb bashku ose ve\u00e7mas. Brenda kamionit, gjith\u00e7ka shtypet dhe cop\u00ebtohet.<\/p><p class=\"f-syn en\"><b>Synopsis:<\/b> At night, the city breaks up into quiet and hustle and a magnificent yet deafening garbage truck disturbs it. It takes away dinner leftovers and everything else forgotten in the fridge, it takes away tokens belonging to past lives - lived either together or apart. In the truck, it all gets crumpled and broken up.<\/p><\/li>\n<li class=\"f-card\"><div class=\"f-img\"><a href=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-18.jpg\" class=\"f-zoom\" aria-label=\"In The Name of Love\"><img decoding=\"async\" src=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-18.jpg\" alt=\"In The Name of Love\" loading=\"lazy\" onerror=\"this.closest('.f-img').remove()\"><\/a><\/div><h3>In The Name of Love<\/h3><p class=\"f-meta\"><b><span class=\"sq\">Regjia<\/span><span class=\"en\">Director<\/span>:<\/b> Mariana Pallas, Alexander Dieppa, Luciana Martins, Socorro Lira<br><b><span class=\"sq\">Shkolla e Filmit<\/span><span class=\"en\">Film School<\/span>:<\/b> Escuela Internacional de Cine y Televisi\u00f3n<br><b>Run time:<\/b> 10:00 min<br><b><span class=\"sq\">Shteti<\/span><span class=\"en\">Country<\/span>:<\/b> <span class=\"sq\">Cuba<\/span><span class=\"en\">Cuba<\/span><\/p><p class=\"f-syn sq\"><b>Sinopsi:<\/b> Dokumentari In The Name of Love ndjek jet\u00ebn e p\u00ebrditshme t\u00eb punonj\u00ebsve t\u00eb Qendr\u00ebs s\u00eb Asistenc\u00ebs Quisicuaba n\u00eb San Antonio de los Ba\u00f1os, t\u00eb cil\u00ebt kujdesen p\u00ebr t\u00eb moshuar dhe persona me probleme t\u00eb ndryshme fizike dhe psikiatrike, t\u00eb shp\u00ebtuar nga rrug\u00ebt e Havan\u00ebs dhe qyteteve e rajoneve t\u00eb tjera t\u00eb Kub\u00ebs.<\/p><p class=\"f-syn en\"><b>Synopsis:<\/b> The documentary \u2018In The Name of Love\u2019 follows the daily lives of workers at the Quisicuaba Assisted Living Center in San Antonio de los Ba\u00f1os, as they care for elderly people and those living with various physical and psychiatric impairments who have been rescued from the streets of Havana and other cities and regions of Cuba.<\/p><\/li>\n<li class=\"f-card\"><div class=\"f-img\"><a href=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-19.jpg\" class=\"f-zoom\" aria-label=\"Land of Symbiosis\"><img decoding=\"async\" src=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-19.jpg\" alt=\"Land of Symbiosis\" loading=\"lazy\" onerror=\"this.closest('.f-img').remove()\"><\/a><\/div><h3>Land of Symbiosis<\/h3><p class=\"f-meta\"><b><span class=\"sq\">Regjia<\/span><span class=\"en\">Director<\/span>:<\/b> Wenqing Zhou<br><b><span class=\"sq\">Shkolla e Filmit<\/span><span class=\"en\">Film School<\/span>:<\/b> Sichuan University<br><b>Run time:<\/b> 14:47 min<br><b><span class=\"sq\">Shteti<\/span><span class=\"en\">Country<\/span>:<\/b> <span class=\"sq\">China<\/span><span class=\"en\">China<\/span><\/p><p class=\"f-syn sq\"><b>Sinopsi:<\/b> I vendosur n\u00eb hap\u00ebsirat e pafundme t\u00eb kullotave t\u00eb Karakorumit n\u00eb Xinjiang, filmi dokumenton jet\u00ebn e blegtores kazake Shahmuguli Baijiuma dhe djalit t\u00eb saj Yelibaojun Jieensiali, t\u00eb cil\u00ebt gjenden n\u00eb udh\u00ebkryqin mes tradit\u00ebs dhe modernitetit. Jeta e tyre nomade, dikur e p\u00ebrcaktuar nga ndjekja e ujit dhe kullotave, \u00ebsht\u00eb z\u00ebvend\u00ebsuar gradualisht nga nj\u00eb m\u00ebnyr\u00eb jetese e q\u00ebndrueshme n\u00eb sht\u00ebpi me tulla. N\u00ebna, tashm\u00eb n\u00eb mosh\u00eb dhe fizikisht e paaft\u00eb p\u00ebr t\u00eb p\u00ebrballuar v\u00ebshtir\u00ebsit\u00eb e blegtoris\u00eb, planifikon t\u00eb hap\u00eb nj\u00eb dyqan t\u00eb vog\u00ebl, nd\u00ebrsa vazhdon t\u00eb mbaj\u00eb bag\u00ebtit\u00eb e fundit t\u00eb familjes. Djali i saj, q\u00eb studion larg sht\u00ebpis\u00eb, rikthehet gjat\u00eb pushimeve me nj\u00eb lidhje t\u00eb fort\u00eb ndaj kullotave, por edhe me \u00ebndrra p\u00ebr bot\u00ebn p\u00ebrtej tyre. Ai \u00ebsht\u00eb i vet\u00ebdijsh\u00ebm se prind\u00ebrit mund t\u00eb jen\u00eb nomad\u00ebt e fundit t\u00eb v\u00ebrtet\u00eb t\u00eb familjes. Me nj\u00eb v\u00ebshtrim empatik, kamera dokumenton q\u00ebndrueshm\u00ebrin\u00eb e n\u00ebn\u00ebs, aspiratat e t\u00eb birit dhe transformimin e heshtur t\u00eb nj\u00eb kulture q\u00eb nuk po zhduket, por po merr nj\u00eb form\u00eb t\u00eb re.<\/p><p class=\"f-syn en\"><b>Synopsis:<\/b> Set against the vast grasslands of Karakorum in Xinjiang, the film documents the life of Kazakh herder Shahmuguli Baijiuma and her son Yelibaojun Jieensiali, who stand at the crossroads of tradition and modernity. Their nomadic lifestyle, once defined by following water and pasture, has gradually been replaced by settled brick-house living. The aging mother, whose body can no longer endure the hardships of herding, is planning to open a small shop while still holding onto the family&#x27;s last livestock. Her son, now pursuing education away from home, returns during holidays with both a deep attachment to the grassland and dreams for the world beyond. He is acutely aware that his parents may be the last true nomads in their family. As society continues to surge forward, the younger generation is destined to journey further afield. With quiet empathy, the camera captures the mother\u2019s resilience, the son\u2019s aspirations, and the subtle transformation of a culture\u2014not disappearing, but evolving into something new.<\/p><\/li>\n<li class=\"f-card\"><div class=\"f-img\"><a href=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-20.jpg\" class=\"f-zoom\" aria-label=\"Ghost Light\"><img decoding=\"async\" src=\"https:\/\/isfft.com\/wp-content\/uploads\/2026\/10\/doc-20.jpg\" alt=\"Ghost Light\" loading=\"lazy\" onerror=\"this.closest('.f-img').remove()\"><\/a><\/div><h3>Ghost Light<\/h3><p class=\"f-meta\"><b><span class=\"sq\">Regjia<\/span><span class=\"en\">Director<\/span>:<\/b> Carmen Lanzi Giannoni, Martina Ocampo<br><b><span class=\"sq\">Shkolla e Filmit<\/span><span class=\"en\">Film School<\/span>:<\/b> Facultad de Arquitectura Dise\u00f1o y Urbanismo (FADU)<br><b>Run time:<\/b> 5:39 min<br><b><span class=\"sq\">Shteti<\/span><span class=\"en\">Country<\/span>:<\/b> <span class=\"sq\">Argentina<\/span><span class=\"en\">Argentina<\/span><\/p><p class=\"f-syn sq\"><b>Sinopsi:<\/b> Z\u00ebri i It\u00ebs rr\u00ebfen episode nga jeta e saj dhe humbjet e njer\u00ebzve t\u00eb af\u00ebrt, p\u00ebrmes t\u00eb cilave shfaqen frik\u00ebrat e saj dhe marr\u00ebdh\u00ebnia me harres\u00ebn, nd\u00ebrsa ajo reflekton mbi paralelizmin mes dekompozimit, jet\u00ebs dhe filmit.<\/p><p class=\"f-syn en\"><b>Synopsis:<\/b> Ita\u2019s voice tells anecdotes of her life about close losses, which allow to glimpse her fears and her relationships with oblivion, while reflecting about the parallelism between decomposition, life and film. 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\/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0a9650c elementor-widget elementor-widget-spacer\" data-id=\"0a9650c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Dokumentar\u00eb &#8211; ISFFT 2026 Dokumentar\u00eb ISFFT 2026 OLYMPIC TRASH RegjiaDirector: Erik S\u00e9mashkinShkolla e FilmitFilm School: University Paris 8 Vincennes &#8211; Saint-DenisRun time: 2:53 minShtetiCountry: FranceFrance Sinopsi: Mbeturinat merren me sport nd\u00ebrsa p\u00ebrgatiten p\u00ebr Loj\u00ebrat Olimpike 2024 n\u00eb Paris. Synopsis: Waste plays sport in preparation for the 2024 Olympic Games in Paris. DESHEBRADA RegjiaDirector: Julia Garc\u00eda [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":680,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-1613","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.4 - aioseo.com -->\n\t<meta name=\"description\" content=\"Dokumentar\u00eb - ISFFT 2026 Dokumentar\u00eb ISFFT 2026\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"google-site-verification\" content=\"hndWZLmmKjt85fvu3EIij71tqs09UUc0-DQNZZj0hH8\" \/>\n\t<link rel=\"canonical\" href=\"https:\/\/isfft.com\/en\/isfft-2026\/documentary-isfft2026\/\" \/>\n\t\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 5.0.4\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"International Student Film Festival Tirana -\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"Dokumentar\u00eb - 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